Ali grad me je štitio / Aber die Stadt hat mich geschützt

    Tanja Šljivar Aber die Stadt hat mich geschützt / Ali grad me je štitio režija: Bojan Đorđev scenografija: Siniša Ilić kostimografija: Maja Mirković i Biljana Tegeltija Bojanić muzika: Luka Papić scenski… Continue reading

ORIENTATION IN 100 REVOLUTIONS

  Orientation in 100 revolutions investigates notion of re-materialisation as a tool to imagine the totality of the world and to comprehend its revolutionary potential. How to think totality, how to materialize it… Continue reading

SAID TO CONTAIN:

tracing the opacity of global trade photo: Ivan Hrkaš / Maja Leo   Said to contain (STC) is the contract-term used by shipping companies to accept containers for transport without verifying their contents.… Continue reading

THE BARRÈS AFFAIR – public reading of a transcript of Dadaist trial

Bojan Djordjev in collaboration with Tanja Šljivar (dramaturge) and Siniša Ilić (visual artist); Dragana Jovović (producer), Marko Grabež (performer), Jelena Ilić (performer) and Milica Stefanović (performer) performance: 2016 The public reading of a… Continue reading

The Discrete Charm of Marxism

The Discrete Charm of Marxism stages Marxist texts on class struggle and revolution as a six course meal. The audience is invited to communally consume/read/discuss the food. The ‘food’ and entire dinner iconography… Continue reading

ПROTOK ŽUDЊE / TRAФIC OF DESIRE

TRAFFIC OF DESIRE – notes on audio-ambiental cruising performance – Bojan Djordjev   Hunting for love can commence anywhere, at swimming pools, near the railway stations or parking lots. It is best to… Continue reading

Future read in Concrete and Stone

  Future Read in Concrete and Stone is a gaze into communist art and politics of the 20th century, a trip through the partisan forests of Yugoslavia, a picnic at Kozara, Sutjeska and… Continue reading

REVOLUCIJU I BORBU NERASKIDIVO VEZUJEMO STIHOVIMA

intervju objavljen na portalu Novosti piše: Saša Šimpraga Nije to crvena, to je krv! predstava je beogradskog redatelja Bojana Đorđeva koja je početkom studenoga premijerno izvedena u Centru za kulturnu dekontaminaciju u Beogradu.… Continue reading

NIJE TO CRVENA … PRIKAZ

Ovo je vreme kada lagano, lakoprobavljivo kuvaričko pozorište (kako Breht generalno naziva klasični teatar aristotelovskih pravila) nije potrebno ni poželjno; jer to je pozorište konzumerizma i zabave, a zabave ima na svakom koraku,… Continue reading

Role exchange: Manuela and Bojan

Artist and fruit seller exchange their roles for a while. While artist folds crates at the end of the market working hours, fruit seller starts a conversation with the audience about the world… Continue reading